The Seashore Boys. |
The focus on The Women on the Beach front is the Beatles--and they in no way appear in the motion picture! The premise has a trio of ladies attempting to raise $ 10,000 to help save their sorority residence. Immediately after numerous futile fundraising efforts (e.g., a bake sale, a attractiveness contest), they meet up with three guys who--trying to sound extraordinary--promises to know Paul, John, George, and Ringo. The women make a decision that a Beatles live performance is a surefire way to preserve the Alpha Beta Residence!
It's a silly plot, to be sure, but the cast is likable and the songs excellent. In addition to the Beach front Boys, Leslie Gore and the Crickets (who continued immediately after Buddy Holly's loss of life) complete jaunty tunes. Carol Connors dubs for actress Noreen Corcoran on a couple of of tunes, including the marvelously-titled "We Wanna Marry a Beatle." Connors was formerly direct singer of the Teddy Bears, who scored a enormous pop hit with "To Know Him Is To Love Him." A long time later, she co-wrote "Gonna Fly Now" from Rocky.
Kincaid and close friends. |
The second fifty percent of TCM's "Spring Break" double-feature tonight, Beach front Ball stars Edd Byrnes--permanently acknowledged as Kookie from the Tv sequence 77 Sunset Strip. Significantly less charming than The Ladies on the Seashore, Beach Ball is ideal acknowledged for its outstanding musical line-up: Diana Ross and Supremes, The Four Seasons (who sing "Dawn"), the Righteous Brothers, the Hondells, and the Walker Brothers.
In between the musical figures, there's a plot about Byrnes striving to get a grant (!) so his band, The Wigglers, would not have to return to their instruments to the audio store. The greatest issue about Seashore Ball is that the plot doesn't get in the way of the songs. As well as, it's exciting viewing Byrnes striving to act tremendous cool. When a lady asks him to depart the dance ground so they can chat, he quips: "Don't bug me, little one. I'm in orbit."
Neither of these two Paramount forays into the 1960s surf musicals compares favorably with AIP's Seashore Party series (no Annette, no Eric Von Zipper!). Nonetheless, they are entertaining in a silly way and, if you happen to be a enthusiast of nineteen sixties rock-and-pop songs, it is a uncommon possibility to view some of the decade's most significant functions.
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